Tuesday, November 27, 2012
Due Friday
Your White tint drawing will be due on Friday. Some of you may need to take these home to work on. Too many of you are not taking advantage of class time to work, so I will not wait around for you to finish this assignment. Be accountable for your assignments and stay focused on what you should be doing.
Sunday, November 18, 2012
Choosing a pic
This should be a picture you have taken yourself. I want to see
emotion and great angles in your picture. Here are some examples:
I want to do this project with you guys of my own kids. So I have some examples of some good pics I have taken in the past that I may use.
I want to do this project with you guys of my own kids. So I have some examples of some good pics I have taken in the past that I may use.
Friday, November 16, 2012
Reverse Portraits
Focus here: The use of VALUE. You will create a high contrast portrait on black paper using white media and hints of other colors you may choose later on using colored pencils. Here we will be focusing on light values and not just dark values anymore.
White Charcoal
Oil Pastels
Chalk Pastels
Colored pencils
Drawing with white material on black paper does require some getting used to. This is because most of us are accustomed to drawing with dark material on white or lightly colored paper. This thinking has ingrained in us the need to add dark values and leave the lighter values. When we reverse this thinking by drawing with white material on black paper, our process is the opposite. Now, we must train our minds to deal with the lighter values and leave the darker values to the tone of the surface. This reversal can be challenging, but important in our development as artists. It forces us to recognize the importance of tints (lighter values) and their inherent relationships with shades (darker values). With practice, our understanding of value and how it is used to create drawings improves.
White Charcoal
Oil Pastels
Chalk Pastels
Colored pencils
Drawing with white material on black paper does require some getting used to. This is because most of us are accustomed to drawing with dark material on white or lightly colored paper. This thinking has ingrained in us the need to add dark values and leave the lighter values. When we reverse this thinking by drawing with white material on black paper, our process is the opposite. Now, we must train our minds to deal with the lighter values and leave the darker values to the tone of the surface. This reversal can be challenging, but important in our development as artists. It forces us to recognize the importance of tints (lighter values) and their inherent relationships with shades (darker values). With practice, our understanding of value and how it is used to create drawings improves.
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